Peer-Reviewed Articles
Ignatidou, A. Martin Buber’s Creative Manifesto, Journal of European Judaism, vol. 57, no. 1 (Spring 2024), pp. 53- 76
https://doi.org/10.3167/ej.2024.570105
Ignatidou, A. Opera Box: Opera Interactively in schools, Greek National Opera Learning and Participation Department, 2023. Availaible at: https://www.nationalopera.gr/en/opera-interactively-into-schools
Ignatidou. A. Where Music Resides: Institutions, nationalism, and musical debates in 19th century Athens, European History Quarterly, vol. 51, issue 2 (2021), pp. 143-169 https://doi.org/10.1177/02656914211006581
Ignatidou, A. The Queen’s preferred Chant and Greece’s 19th century Orthodox-Christian national problem. Nations and Nationalism, vol. 25, issue 3, (July 2019), pp. 1042-1064 https://doi.org/10.1111/nana.12481
Peer-Reviewed Book Chapters
Ignatidou, a’ of music records in ottoman salonika’, in bernheimer, t., Busa, a. (eds.) The materiality of jewish-arab relations. forthcoming, 2027. Turnhout: Brepolis
Ignatidou, A. ‘Symbolic uses of functional musical text in 19th century Athens’, in Cátheres-Piñuel, M., Napoli, A., Strumbl, M. (eds.) 2024. Branding “Western Music”. Lausanne, Berlin, Bruxelles, Chennai, New York, Oxford: Peter Lang
Ignatidou, A ‘War, Folklore & Circumstance: Dmitri Shostakovich’s Greek Songs in Transnational Historical context’, in Williams, J., Horlor, S. (eds) 2022. Musical Spaces: Place, Performance, and Power. Oxford: Taylor & Francis
My orcid id:
https://orcid.org/0000-0002-9735-2090